Sickness Report was released in 1996 in CD format for Release Entertainment, a sub-label of Relapse Records for ambient, noise, and experimental works, active between 1992 and 2004. The tracks on the CD were recorded a year earlier, in August 1995 and precisely on the 7th, spontaneously in an hour, like a manic raptus. It is the coldest, most cynical and loudest album of all Atrax Morgue’s discography. The graphics on the CD, faithfully replicated also in the vinyl version, were made by Marco Corbelli with images taken from the volume “Tecnica delle autopsie“ by Giacomo Mottura and are the perfect introduction to the sonic aggression that is coming. And the titles leave no room for imagination. It starts with Eviscaration, a powerful and hallucinatory sound that hits you like a crazy lawnmower. Then the morbid spiral continues with the songs Massive Vulval Warts and Deformed that take you to the most hidden and cramped spaces created by the brilliant mind of the Italian composer, without any opportunity for compromise: pure and glacial synthetic throbbing post-industrial sound soaked in death. The A side of the record closes with Brain Penetration, aseptic and sharp as a razor blade, which bangs you straight in the stomach. The second side of the vinyl continues to drag your mind into the perverse ecosystem created by the author, until you get to exhaustion with Slow Agony Of A Dying Organism, where the sound of a distorted synth seems to sigh the last gasps: mind stir the suggestion of the powerful, death-diluted stuff that is put into your hands.
Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian Power Electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In Search Of Death which will be followed by a series of amazing cassettes in the succeeding years.
Tape after tape, with the help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. With this minimal equipment Marco has created all his shocking releases, excluding Cut My Throat, where he used the Crumar Spirit and in the latest works before he died, as for the collaboration with M.B., he also used RE-201 Space Echo (the only other machines he had used were Crumar Bit One and the Roland 909, both of which were used only for the Mörder Machine side-project).
The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire discography. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. The psychopathological sound is painful and horrific; creates a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death).
Marco Corbelli’s Atrax Morgue is anxious and psychotic side of the electronic noise; he is a sinister, synthesizer-based jarring project, rich with pulsating tones and throbbing static beats. His severely distorted electronic voice reverberates through the fore ground like the spoken word performance of a homicidal maniac while the music beneath affords a suitable and macabre adieu for your deceased soul. This is the sonic equivalent of regulating the blood flow through a severed jugular, the life slowly draining, the hands kept warm and strictly in the process …
Performed August 7, 1995 Sassuolo, Italy.
Mastered at M Works, Cambridge, MA on April 22, 1996.
Comes with A3 size poster. Limited to 199 copies.