his will come as single CD in Digipak now
\nwith the typical GO debossed and spotvarnished layout.<\/p>\n
Musical contend:
\nThe complete material of “Save our Slaves” originally released in 1991.
\nCompilation Tracks from:
\nPerpetual State of Oracular Dream LP 1991
\nNatural Order 2LP 1997
\nSound of Hate Vol.7 MC 1992
\nExploration One CD 1995
\nTrans-Action MC 1992
\n+ both tracks from:
\nKlan Kountry 7″ 1998<\/p>\n
:CONTEXT:
\nReleased on Tesco Organisation in 1991, Save Our Slaves arrived as the second album for Genocide Organ, following the debut Leichenlinie released 2 years prior. Although the impact of Leichenlinie is undeniable in establishing the group within the noise industrial \/ power electronics scene, upon reflection Save Our Slaves is the release that cemented Genocide Organ\u2019s cult underground status. This cult status has been generated via their musical approach, coupled with lavish handmade packaging and the presentation of strong, potentially controversial thematic material in an impartial and ambiguous manner; which incidentally some have interpreted as being \u2018politically incorrect\u2019. Save Our Slaves stands out as the landmark release that definitively executed each hallmark element of sound, visuals and thematic content with flawless accuracy.<\/p>\n
:THEME:
\nConceptually, Save Our Slaves is an album renowned for its direct engagement with many taboo aspects of America\u2019s history. Consequently, without shying away from the darkest aspects of America\u2019s past, Save Our Slaves is concerned with: slavery, racist movements such as the Ku Klux Klan, radical right wing political advocacy group The John Birch Society, and the struggles for suppression, dominance and\/or liberty on both sides of the civil rights movement. There are seemingly implied references to Dr Martin Luther King, whilst the track Violent Coordinating Committee appears to be inspired by the Student Nonviolent Coordinating Committee – an important \u2018direct action\u2019 organization of the 1960\u2019s civil rights movement. Save Our Slaves also contains more direct references to other civil rights figures including James Meredith – the first African-American student admitted to the segregated University of Mississippi (a flashpoint of the civil rights movement); and Sarah Patton Boyle – Virginia’s most prominent white civil rights activists during the 1950-60s.
\nYet to expand the thematic content further, the album also makes reference to American Imperialism of the 1950\u2019s to 1970\u2018s, which included covert CIA operations in the Middle East, Africa, South America, and Indochina \/ South East Asia. Specifically, such operations involved the facilitation of military instigated coups and provision of financial and military support to various dictators in the ideological fight for capitalism against communism and socialism.
\nSave Our Slaves functions as a politically charged, controversial declaration and socio-political manifesto that analyses American society, the roots of America\u2019s history and culture and its role in shaping the modern world. As exemplified by its sound, visuals and thematic content Save Our Slaves stands as a strong and clear testament to the initial rise and early establishment of Genocide Organ\u2019s cult status.
\nRichard Stevenson: editor of Spectrum Magazine (1998-2001) \/ current editor of noise receptor journal (print \u2018zine & blog)<\/p>\n
TRACKLIST:<\/p>\n
The Rise Of American Civilization
\nDeath With Dignity 4:51
\nI Want James Meredith 3:50
\nJohn Birch Society 4:02
\nKill Useless Nations 4:51
\nPatria Y Libertad 11:41
\nViolent Coordinating Committee 5:23
\nDogday 7:09
\nR.F. And His Law 2:28
\nWeg Der Verlorenen 4:26
\nTonTon Macoutes 3:14
\nKlan Kountry 5:41
\nWe Grow 5:25
\nSearch A Place To Die 6:01<\/p>\n
TESCO 115<\/p>\n","protected":false},"excerpt":{"rendered":"
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